Photo: Kevin Winter/Getty Images for The Recording Academy
DJ Khaled Brings "God Did" To Life Alongside Jay-Z, Lil Wayne, Rick Ross, John Legend, & Fridayy | 2023 GRAMMYs
Music's Biggest Night wrapped up in star-studded fashion thanks to DJ Khaled, who joined his "GOD DID" collaborators Rick Ross, Lil Wayne, John Legend, Jay-Z and Fridayy for an epic show-closing performance.
Spilling into the street outside L.A.'s Crypto.com Arena, the assembled MCs and singers spit their verses and sang their hooks awash in purple light, with Legend seated behind a piano covered in flowers while the rest sat at an opulent, overflowing table in the style of the Last Supper.
"They didn't want us to win! So I made sure I was on the GRAMMYs stage with the biggest! This is for hip-hop!" Khaled shouted in between verses by Ross and Lil Wayne. And later, Jay-Z stole the spotlight as he testified, "These ain't songs, these is hymns 'cause I'm him/ It's the Psalm 151, this New Testament/ The book of Hov/ Jesus turned water to wine/ For Hove, it just took a stove."
The praiseworthy banger raked in three nominations at this year's awards show, including Song Of The Year, Best Rap Song and Best Rap Performance. The album GOD DID was up for Best Rap Album.
The superproducer scored a sixth nomination in the Best Melodic Rap Performance category for "BEAUTIFUL," the Future and SZA-assisted album cut off GOD DID. He nabbed an additional nomination as a guest artist on Mary J. Blige's Good Morning Gorgeous (Deluxe), which is nominated for Album Of The Year.
Over the course of 2022, GOD DID earned Khaled his seventh career Top 10 hit on the Billboard Hot 100 thanks to lead single "Staying Alive" featuring Drake and Lil Baby. It also became his fourth chart-topping album on the Billboard 200.
Essential Hip-Hop Releases From The 1990s: Snoop Dogg, Digable Planets, Jay-Z & More
In the '90s, hip-hop officially left the underground for full commercial fanfare. During hip-hop's golden age, rappers were multifaceted in their flow and lyrics, creating music that is now legendary.
Three decades ago, hip-hop made a turn from the underground to commercial fanfare. The eclectic sensibilities of the 1980s created space for artists of all stripes, leading to the golden age of hip-hop, and releases that are now considered an integral part of the genre's canon. By the 1990s hip-hop was a chart-topping entity and enterprise, where artists were popularized through streetwear campaigns and brand deals.
In this decade, rappers were multifaceted in their flow and lyrics — whether rugged and hard-spitting, or poetic and fervently expressive. Artists like psychedelic hip-hop group De La Soul, salacious femcee Lil' Kim and Atlanta heavy-hitters Outkast expanded rap’s palette. Beats ranged from synthetic to weighty 808 drum patterns, all which redefined the genre’s 20-year presence.
Hip-hop chronicled truth and fantasy, providing listeners both deeply resonant and vividly divergent soundtrack whose influence continues to be felt. Decades later, records released in the 1990s are legend, and many of them appeared on the 65th GRAMMY Awards stage in a massive tribute to hip-hop.Here are 10 signature albums that bridged the golden age and the digital era of hip-hop.
De La Soul - De La Soul Is Dead (1991)
By 1991, conscious hip-hop pioneers De La Soul were over the "D.A.I.S.Y. Age" introduced on their seminal debut album 3 Feet High and Rising. The Long Island trio, composed of Posdnuos, Maseo and the late Trugoy the Dove jazzed up their sound on sophomore effort De La Soul Is Dead, marking a radical transition from hip-hop "hippies" to earnest rhymesayers.
Posdnous and Trugoy melded simple production (courtesy of Prince Paul) with complex bars on "Pease Porridge," and also explored the traumas of sexual molestation through metaphor on "Millie Pulled a Pistol on Santa." Although De La Soul Is Dead received mixed reviews, the LP was one of the first albums to earn a five-mic rating in hip-hop publication The Source. "Still progressing and proud of it, De La has successfully escaped being trapped in the sophomore jinx with grooves that are harder than a brick wall," the throwback review reads.
With De La Soul Is Dead, the group, whose back catalog just arrived on digital music services in March, evaded the dreaded sophomore slump and cemented their place in hip-hop history.
Snoop Dogg- Doggystyle (1993)
After Calvin Broadus — then performing under the moniker Snoop Doggy Dogg — released his breakthrough album Doggystyle, West Coast rap was never the same. Playing on inspirations from classic Blaxploitation films and early funk pioneers, Snoop kept his posture smooth while rhyming over beats from Dr. Dre (who also discovered the Long Beach native), and welcomed fellow then-newcomers like The Lady of Rage, Tha Dogg Pound, Warren G and RBX as features.
Giving listeners "just a small introduction to the G-Funk era," Snoop helped usher in a soul-laden gangsta rap sound that stood in distinct contrast to the East Coast’s grittiness and jazz influence. The iconic "Gin and Juice" and "Who Am I (What’s My Name?)" have long been summertime cookout staples, while the eerie "Murder Was the Case" preceded Snoop being acquitted of murder just three years later. Now a 16-time GRAMMY nominee, Doggystyle marked Snoop’s debut as a hip-hop elite.
A Tribe Called Quest - Midnight Marauders (1993)
Three albums into their career, A Tribe Called Quest didn’t let up on Midnight Marauders. The Queens-bred group, which included Q-Tip, the late Phife Dawg, Ali Shaheed Muhammad (and occasional member Jarobi White) flaunted their lyricism and expansive musical knowledge on the 1993 release, which was navigated by a robotic "tour guide."
Q-Tip and Phife’s wordplay is nimble throughout the album, but truly spotlighted on the Trugoy the Dove-assisted "Award Tour," the amorous "Electric Relaxation" and "The Chase, Pt. II." "8 Million Stories" and "Midnight" were solo moments for Phife Dawg and Q-Tip, respectively, each who had brushed up their penmanship since ATCQ’s 1991 reinvention on The Low End Theory. Both atmospheric and imaginative, Midnight Marauders showcased ATCQ’s range as a progressive hip-hop act.
Digable Planets - Blowout Comb (1994)
Jazz rap trio Digable Planets maintained their cool just one year after winning a GRAMMY Award for Best Rap Performance By A Duo Or Group. In 1994, Ishmael "Butter Fly" Butler, Mariana "Ladybug Mecca" Vieira and Craig "Doodlebug" Irving followed with Blowout Comb, their second and final studio album. With a minimalist approach, Digable Planets trekked through urban and Afrocentric themes soundtracked by live instrumentation and spoken word.
Emotionally stirring and thematic, "Black Ego" saw Digable Planets tackling economic injustices and Black nationalism with nods to Blaxploitation films Cleopatra Jones and Superfly. The group asserted their refusal to go commercial on laidback earworm "Jettin." Seventies slang and references to New York City boroughs floated throughout Blowout Comb, and although singles "9th Wonder (Blackitolism)" and "Dial 7 (Axioms of Creamy Spies)" didn’t chart, the album reintroduced Digable Planets in their most authentic form and reached No. 32 on the Billboard 200.
2Pac - Me Against the World (1995)
With an awareness unrivaled by his contemporaries, Tupac Shakur's penultimate album, Me Against the World, exploredhis complexities. By March 1995, the rapper had served one month in prison on sexual abuse charges, and had used his previous year of freedom to record arguably the most poignant LP of his lifetime.
On the titular track, Shakur examined impoverished Black communities and morbid thoughts of mortality. A sample of Stevie Wonder’s "That Girl" textures "So Many Tears," where 2Pac vocalizes music industry woes, his depression and even predicts an early death. "Dear Mama," (which inspired the FX docuseries of the same name), was 2Pac’s dedication to mother and former Black Panther Party member Afeni Shakur; it became the third song by a rap act to be placed in the Library of Congress.
The latter song and Me Against the World would both earn Shakur his first GRAMMY nominations. While he didn't win, both are masterpieces that signaled the rapper’s coming-of-age.
Jay-Z - Reasonable Doubt (1996)
Jay-Z gave a solid lyrical offering on his 1996 debut. A landmark album on the now-defunct Roc-A-Fella Records, the 14-track Reasonable Doubt brought mafioso and luxury rap into the ring, as Jay-Z gave semi-autobiographical tales of street life.
On "Feelin’ It," the Brooklyn rapper boasts his riches and opulent lifestyle, while the Issac Hayes-sampling "Can I Live" explores the close calls that the hustle brings. Hov’s stream-of-conscious flow highlighted production from the likes of Ski Beatz, DJ Premier and Clark Kent.
Reasonable Doubt predicted Jay-Z’s thriving future without a doubt, as he’s since taken hip-hop’s throne as a coveted 24-time GRAMMY-winning artist (in addition to 88 nominations).
Lil’ Kim - Hard Core (1996)
Brooklynite Lil’ Kim carved out space for risque rap on her 1996 solo breakout Hard Core. Less than six months after the murder of her mentor the Notorious B.I.G., the former Junior M.A.F.I.A. member achieved solo commercial success for her provocative lyricism and appearance. Whereas many of her contemporaries adopted a more androgynous style, Lil’ Kim played up her sex appeal onstage and on record.
The raunchy "Big Momma Thang," which samples 1978 Sylvester deep cut "Was It Something That I Said," shows Lil Kim’s allyship with queer listeners. Lil’ Kim asserted her hood dominance on "No Time," while flaunting her affection for being classily "draped in diamonds and pearls." Although Hard Core was Moderately received, Lil’ Kim’s rap successors —Doja Cat, Megan Thee Stallion and Cardi B — would later speak highly of the Queen Bee’s NSFW magnetism. Nearly 30 years later, contemporary women in hip-hop continue to strive for Lil’ Kim’s unapologetic influence.
Missy Elliott - Supa Dupa Fly (1997)
Hip-hop hadn’t witnessed fly until Missy "Misdemeanor" Elliott stepped onto the scene. The Virginia-born rapper and singer/songwriter had once been a part of R&B group Sista before partnering with producer Timbaland. The two both wrote and produced almost the entirety of Aaliyah’s 1996 album One In A Million. By the late ‘90s, Elliott’s pen was in demand, giving her the confidence to share her unconventional sound and look as a solo act.
Her 1997 debut, Supa Dupa Fly, redefined what it meant to be a woman in rap. Over Timbaland's bass-thumping production, Elliott went full-on futuristic. She humorously teased her sexuality on the audacious "Sock It 2 Me," while the bouncy "The Rain (Supa Dupa Fly)" sampled Memphis soul vocalist Ann Peebles with peculiar lyrics like "my finger waves these days, they fall like Humpty."
Two decades before being inducted into the Rock & Roll Hall of Fame and receiving the Black Music Collective's Recording Academy Honors award, Elliott took the rap world by storm. Ahead of its time yet heralded, Supa Dupa Fly and Elliott’s one of a kind style showed the artist’s peers and successors how to be creative anomalies.
Outkast - Aquemini (1998)
The South had something to say on Outkast’s third album Aquemini. The duo of André 3000 and Big Boi asserted their southern charm and immaculate rhyme schemes on the 16-track album that catapulted them to stardom. As the two rappers perfected their individualism, Aquemini also showed 3000 and Big Boi seamlessly meshing their styles together.
More spacey than their sophomore album ATLiens, Outkast doubled up on their down home twang on the funky (but controversial) "Rosa Parks." The two questioned reality from dystopian technology on the surreal "Synthesizer" with P-Funk legend George Clinton. Listeners can visualize a juke joint scene on the reggae-tinged "SpottieOttieDopaliscious," where 3000 and Big Boi intertwine tales of a violent nightclub encounter and a cursed romance.
Aquemini ushered a turn in Dirty South hip-hop, where the region gained national respect for its storytelling, realism and unique flow.
Dr. Dre - 2001 (1999)
Super producer and rapper Dr. Dre brought out the all-stars on his 1999 sophomore solo album 2001. The LP reunited the now seven-time GRAMMY-winner with his prodigies Snoop Dogg, Eminem, Xzibit, Nate Dogg and Kurupt, while ushering in a new age of West Coast rap. Seven years after his groundbreaking debut album The Chronic, the former N.W.A. member was "Still D.R.E."
On the aforementioned track, written entirely by Jay-Z, Dr. Dre flexed his near 15-year impact in hip-hop. "The Watcher" detailed the Compton native reaching music industry plateaus despite paranoia of "a new era of gangstas." Strip club anthem "The Next Episode" harkened back to Dre and Snoop’s "Nuthin’ But A 'G' Thang," while "Let’s Get High" captured a raunchy house party. On 2001, now certified 6x platinum, Dr. Dre was at his most carefree while setting the bar high for a new generation of hip-hop.
Photo: Kevin Mazur/Getty Images for the Recording Academy
The 2023 GRAMMYs Nominated For Three Emmys: See The Categories Below
In an awards show crossover to remember, the 2023 GRAMMYs telecast has been nominated in three prestigious categories at the 2023 Emmy Awards.
An Emmy for the GRAMMYs? It's happened before, and it could happen again.
The 2023 Emmys nominations list has been revealed, and Music's Biggest Night is well represented.
The 2023 GRAMMYs have been nominated for Emmy Awards in the Outstanding Production Design For A Variety Special, Outstanding Lighting Design/Lighting Direction For A Variety Special and Outstanding Sound Mixing For A Variety Series Or Special categories.
In the first category, the 2023 GRAMMYs compete with "The Oscars," "Encanto At The Hollywood Bowl," "Carol Burnett: 90 Years Of Laughter + Love," and "The Apple Music Super Bowl LVII Halftime Show Starring Rihanna."
The second category also contains "Encanto At The Hollywood Bowl," as well as "2022 Rock And Roll Hall Of Fame Induction Ceremony," "75th Annual Tony Awards," and "The Weeknd Live At SoFi Stadium."
Also nominated in the third category are "Bono & The Edge: A Sort Of Homecoming With Dave Letterman," "Elton John Live: Farewell From Dodger Stadium," "Saturday Night Live • Co-Hosts: Steve Martin & Martin Short," and "Taylor Hawkins Tribute Concert."
Check out the complete list here, and watch this space to see if the GRAMMYs will take home the world's most prestigious TV award!
Photos (L-R): Ethan Miller/WireImage, James Devaney/WireImage, Jeff Goode/Toronto Star via Getty Images, Kevin Kane/Getty Images for The Rock and Roll Hall of Fame
Songbook: How Jay-Z Created The 'Blueprint' For Rap's Greatest Of All Time
From groundbreaking albums to star-studded collaborations, Jay-Z's discography has made the rap mogul one of the genre's biggest icons.
As Jay-Z declared in 2001's "Breathe Easy," few rappers stack up when it comes to his flow, consistency, stories, charisma, and trendsetting powers — and he's backed up his claims for three decades on.
The Brooklyn rapper has cranked out chart-topping hits and street anthems across classic albums like The Blueprint and The Black Album, and he's inspired generations of rappers to take on his pen-free approach to music. But long before becoming a hip-hop icon, the young Shawn Carter first honed his musical gifts by rapping over a boombox in his childhood home in Bed-Stuy's Marcy Projects.
Nicknamed "Jazzy" for his love of music, Jay-Z split his time between exploring his newfound passion and dealing crack cocaine as a teenager. After linking with childhood friend and then-mentor Jaz-O, he adopted the moniker "Jay-Z" in the late 1980s, and eventually captivated hip-hop fans on the posse cut "Show and Prove" from Big Daddy Kane's 1994 album Daddy's Home. That moment led to the eventual release of his own single, 1995's "In My Lifetime," and the years that followed served as the coronation of one of rap's biggest stars.
After being rejected from major record labels, Jay linked with fellow New Yorkers Damon "Dame" Dash and Kareem "Biggs" Burke to establish Roc-A-Fella Records in 1996. He soon went from being an up-and-coming artist selling burned CDs out of his car to producing multi-platinum singles and No. 1 albums.
His greatness has earned him 24 GRAMMYs to date — tied with Kanye West for the most of any rapper — and a spot in the Rock & Roll Hall of Fame. And with a billion-dollar business empire to match his acclaimed discography, Jay-Z has long been declared one of the greatest MCs ever.
As he continues his rap reign, revisit some of Hov's most illustrious career moments, from memorable performances to groundbreaking album releases and legacy-defining accolades.
"Hawaiian Sophie" (1989)
A fresh-faced, hi-top faded Jay made one of his earliest appearances on wax with "Hawaiian Sophie." The 1989 record was a modest and playful hit by childhood friend Jaz-O, who let Jay contribute a few lines on the island-themed track.
Though Jay's presence was minor, he put a face to a relatively unknown name by popping up throughout the song's luau-style video. Years later, he gained the attention of legendary Brooklyn rapper Big Daddy Kane, who brought Jay on as a hype man before he broke out as a solo act and formed a more calculated, sharp-tongued lyrical style.
Reasonable Doubt (1996)
Taking inspiration from classic films like The Godfather and Goodfellas, Jay-Z showcased his lyrical potency and storytelling ability on his critically acclaimed debut, Reasonable Doubt, in mafioso fashion. The album was the manifesto of a 26-year-old street hustler, who looked to shed the deadly perils of the drug underworld to bask in the caviar and champagne lifestyle.
He shifted from the colorful, bombastic rap style of his early career to a snappier and grounded delivery on "Coming of Age," and the Biggie Smalls-assisted "Brooklyn's Finest," while still offering a slice of mainstream appeal on "Ain't No N—" featuring Foxy Brown. Legendary producers DJ Premier ("Fried or Foe"), DJ Clark Kent ("Cashmere Thoughts"), and Ski ("Dead Presidents II") helped lay the canvas for Jay-Z to illustrate his past experiences and impending accolades and riches.
The album was among his best releases in the '90s, and helped establish his foothold in the industry through the new millennium. While Reasonable Doubt didn't reach platinum status until six years after its 1996 release, the project elevated Jay's profile as an emerging MC with a penchant for vivid street tales and mainstream edge.
Vol. 2... Hard Knock Life (1998)
Jay-Z's third album is possibly the most impactful in his career. Not only did it notch his first GRAMMY (for Best Rap Album at the 1999 GRAMMYs), but it remains his best-selling album with more than 5 million copies sold. It also started an 11-album streak of No. 1 releases.
The project was a medley of pop-oriented singles such as "Can I Get A…" and club records like the piano-laced hit "Money, Cash, Hoes." It also offered street classics like "Hard Knock Life (Ghetto Anthem)," which showcased his musical versatility and mainstream appeal.
Aside from the Stevie J-produced "Ride Or Die," Jay veered away from the Bad Boy production style of Vol. 2's predecessor, In My Lifetime, Vol. 1. He enlisted Ruff Ryders producer Swizz Beatz for "Coming of Age (Da Sequel)," and producers Timbaland, Jermaine Dupri, Irv Gotti, and Kid Capri were also tapped for the project, creating a lush palette of club bangers and records indicative of the shiny-suit era of late '90s hip-hop.
"Imaginary Players" (1997)
If it wasn't for Hov, rappers may still be drinking beer over champagne, rocking silver charms over platinum, and driving Range Rover 4.0 SEs instead of 4.6 HSEs. Not only did Jay shift the motor and champagne industry with his second album, but he altered the rap game, too. And "Imaginary Players" was proof.
The In My Life, Vol. 1 cut was a collective side-eye to frauds masked as street hustlers, and signaled Jay-Z's early trendsetting powers. The song didn't graze the Billboard charts as high as singles "Who You Wit," "The City Is Mine" and "(Always Be My) Sunshine," but it grew into a street anthem and blueprint for the real go-getters to shine among the fakes.
"Big Pimpin'" (1999)
For years, "Big Pimpin'" was the ultimate summer anthem. The single from Vol 3… Life and Times of S. Carter showcased Jay's ability to produce hit records with artists from other regions. It also laid the ground for future collaborations between Jay-Z and Timbaland, who went on to produce tracks like "Dirt Off Your Shoulder," "The Bounce," "Tom Ford," and others.
Music aside, the song's video is reflective of the flashy, big-budget era of the late 1990s and early 2000s. Shot during the Trinidad and Tobago Carnival, the video's yacht views, sand-filled beaches, and cigar smoke complimented the song's tropical sound and inspired listeners to wrap themselves in linen garments, kick back and enjoy the Caribbean breeze.
The Blueprint (2001)
Regarded as the best album in his catalog, 2001's The Blueprint encapsulated all of the elements that made Jay-Z a lyrical titan and fixture in music. Between the boundless braggadocio on "The Rules Back," the tales of chaotic romance on "Girls. Girls, Girls," and a snapshot of his uprising on "Blueprint ("Momma Loves Me"), the album captured it all.
While "The Takeover" sparked one of the era's most contentious rap beefs, and forced Queens rapper Nas to snap back with a poignant blow of his own in "Ether," the album was riddled with some of Jay's biggest records during the 2000s. Street anthems like "Izzo (H.O.V.A.)" had rap fans of all ages spelling out the song's title, and soul-stirring album cuts like "Song Cry" had listeners barely holding onto their tears.
The Black Album (2003)
Jay's eighth studio effort was pegged as the final one by the Brooklyn MC. And while he eventually returned for Kingdom Come three years later, 2003's The Black Album would've been the perfect end to an already historic rap career.
On "December 4th," Jay kicked off the album with a call back to his origins. "They say they never really miss you 'til you dead or you gone/ So on that note I'm leaving after this song/ See you ain't got to feel no way about Jay so long/ At least let me tell you why I'm this way, hold on."
Jay goes on to outline his successes on "What More Can I Say," then incites fans to level up their sexy on "Change Clothes." Between experimental records like the DJ Quik-produced "Justify My Thug" and the soulful "Lucifer," The Black Album is also filled with stadium-rocking anthems.
On "99 Problems," Jay raps over zingy guitar riffs for a bold track that's reminiscent of Run DMC and Aerosmith's 1986 smash "Walk This Way." Both songs were produced by Rick Rubin, who provided the rock-induced, bare-bones beat for Hov to unleash on snarky law enforcers and uninformed rap critics.
The Timbaland-produced "Dirt Off Your Shoulder" is a middle finger to the dream killers envious of others' success. The platinum-selling record even inspired Barack Obama to use a shoulder-brushing motion when running against then-rival Hillary Clinton during his 2008 Democratic nomination campaign.
After dropping a live album with The Roots and releasing two critically panned collaborations with R. Kelly, Jay made a creative pivot with Collision Course (EP). The rapper teamed up with Linkin Park for a hip-rock project that was inspired by Danger Mouse's The Grey Album, and mashed hits like "Jigga What, Jigga Who," "Dirt Off Your Shoulder," "Big Pimpin'" and with songs from Linkin Park's Meteora and Hybrid Theory releases.
The album received mixed reviews, but the project's lone single "Numb/Encore" won Best Rap/Sung Collaboration at the 48th GRAMMY Awards and helped the EP land a No. 1 spot on the Billboard 200.
"Empire State of Mind" (2009)
Fifteen years after Nas' "N.Y. State of Mind," Jay made his own dedication to New York City with "Empire State of Mind." The record is an ode to the city that shaped him, and the millions of other natives who, like him, hustled in various boroughs to get by (and have a closet full of New York Yankees hats).
The Alicia Keys-assisted track touched the hearts of New Yorkers everywhere, including Harlem and Brooklyn native Lil Mama, who notoriously hopped on stage with Keys and Jay during their performance at the 2009 MTV Video Music Awards. The Blueprint 3 single took home two gramophones at the 53rd GRAMMY Awards for Best Rap-Sung Collaboration and Best Rap Song.
Watch the Throne (2011)
After teaming up on classic songs like "Never Let Me Down" and "Diamonds From Sierra Leone (Remix)," Jay and Kanye West came together for a full-length project in 2011. The two rap giants combined their musical genius for Watch the Throne, an explorative and enthralling body of work filled with genre-melding hits coated with top-tier production and memorable features.
Watch the Throne was an exercise in musical cohesion and set the bar for collab projects to follow, given the commercial success and critical reception it received upon its release. Jay served as the lyrical orator, while West was the sonic architect and more animated showman.
Between glossy trap songs like "H.A.M." and "N—s In Paris, and the pop-extravagance of "Lift Off," Jay and Kanye tell fervent tales of their ghetto origins on "Murder To Excellence," visions of their children's lives on "New Day," and give listeners soul-stirring jams like "The Joy" and "Otis." Each track was nourished from the well of Jay and Kanye's artistry, and done without either rapper leaving the other to dry.
"Holy Grail" (2013)
The same year Jay-Z and Justin Timberlake came together for the hit "Suit & Tie," the pair delivered another smash with "Holy Grail." The song's origins began in the sessions for Watch the Throne, but Hov feared it would get lost in the shuffle — so he decided to build 2013's Magna Carta… Holy Grail around the enthralling record.
An explosive track about the allure and destruction of fame, it became the lead single for MCHG, selling over 3 million copies and winning Best Rap/Sung Collaboration at the 2014 GRAMMYs. A year after its release, Billboard placed the record at No. 25 on the publication's Top 100 Hot Rap Songs of all-time list.
EVERYTHING IS LOVE (2018)
Prior to 2018, Jay-Z and his wife, Beyoncé, blessed fans with culture-shifting collaborations like "Crazy in Love," "03 Bonnie and Clyde," and "Drunk in Love." These songs prompted fans to call for a full-length project from the power duo, and after years of anticipation, the power couple delivered 2018's EVERYTHING IS LOVE.
The album came as a surprise to fans, with many jarred by the rumors surrounding Jay and Beyoncé's marriage following the release of Bey's searing 2016 project Lemonade (as well as Jay's honest response with 4:44 — more on that later). While the speculations and alleged drama continue to swirl online, the two stars came together for a nine-track album that gave listeners a behind-the-scenes look at life at the Carter residence.
Announced in the middle of their second On The Run stadium tour, EVERYTHING IS LOVE celebrated the power of black love and family life while exploring unadulterated extravagance. Like their past collaborations, Beyoncé's soothing, high-powered vocals helped elevate Jay's bars and artistry.
Together, they combined their collective powers for stories about rowdy tour stops and endless shopping sprees on "APES—" and "BOSS," and Beyoncé adorned the album with emotion-filled love ballads like "SUMMER." The couple even exchanged braggadocious rhymes about the strength of their union on "LOVEHAPPY," and the fun they have together outside the lines of celebrity on "HEARD ABOUT US" — proving they had not only weathered the storm, but came out stronger together.
Arguably one of Jay's most complete and honest bodies of work, 4:44 is a vivid look at the artist's triumphs and failures as Shawn Carter the man. On the opening track "Kill Jay Z," he sheds his ego-fueled moniker to reveal his early upbringing in Bed-Stuy on "Marcy Me," the discovery of his mother's sexuality on "Smile" and the issues surrounding his marriage on the title track.
While the late-career album was largely viewed as a response to Beyoncé's Lemonade album, 4:44 also painted a portrait of Black America, unveiled the pathway to generational wealth on "The Story of O.J.," and the value of shared successes on "Family Feud" and "Legacy."
The rapper veered from the commercial sound of Blueprint 3, and the gumbo of trap and luxury-soaked beats on Magna Carta… Holy Grail, to deliver deeply personal messages over No I.D.'s grounded, sample-heavy production.
The artist hasn't released another solo project since 4:44, but if it is in fact his last album, it's certainly a stellar way to close the door on a legendary music career. The 2017 release was praised by critics and garnered three nominations at the 60th GRAMMY Awards, including Song Of The Year and Album Of The Year.
"GOD DID" (2022)
On "GOD DID," Jay spit one of the best verses in his catalog. "I be speaking to the souls of men/ Those of them willing to die for the existence that this cold world has chose for them/ Kicking snow off a frozen Timb (woo)/ Back and forth on this turnpike, really took a toll on them." The MC detailed his journey across state lines to live out his street dreams, the drama and misfortunes that followed his tracks, and how he leveraged his powers to become one of the first rappers to reach billionaire status.
He encapsulated it all within a four-minute verse, closing out the track touching on his legacy — and proclaiming that he is in fact one of rap's all-time greats. "I just got a million off a sync/ Without risking a million years tryna get it out the sink (woo)/ Hov big/ They said they don't know me internationally, n—s on the road did/ I see a lot of Hov in Giggs/ Me and Meek could never beef, I freed that n—a from a whole bid/ Hov did/ Next time we have a discussion who the GOAT, you donkeys know this."
Photo: Jeff Kravitz/FilmMagic
Beyoncé's 'Dangerously In Love' Turns 20: How The Solo Debut Foreshadowed The Singer's Icon Status
During Destiny's Child's hiatus in 2001, Beyoncé's determination to showcase her innovative sound led to 'Dangerously In Love' — which laid the foundation for the history-making GRAMMY superstar we know today.
By the turn of Y2K, Destiny's Child was on top of the world. Their 2000 smash "Independent Women Part I" was the longest-running No. 1 of their career, and their 2001 LP, Survivor, was yet another worldwide success for the group. But by 2003, all eyes were on Beyoncé.
One of the founding members of Destiny's Child, Beyonce was also the group's main vocalist and co-writer, proving her prowess as a star in her own right — and her debut solo album solidified her, well, destiny.
Released on June 24, 2003, Beyoncé's Dangerously In Love laid the groundwork for the GRAMMY-winning icon she is today. Throughout its 15 tracks, Beyoncé displayed a newfound confidence and a hunger for creativity. She experimented with sounds that steered away from the Pop&B girl power anthems of yore, whether it was on the futuristic "Hip Hop Star" with Big Boi and Sleepy Brown or the use of Arabic strings in "Naughty Girl."
At the same time, Dangerously In Love expands on her R&B roots with stunning balladry, with Beyoncé musing about the various stages of love. Turning 21 during the recording process — and falling in love with then-rumored beau and now husband, Jay-Z — Beyoncé embraced her womanhood with sultry vocals and adoring odes on tracks like "Be With You" and "Speechless." (The album's name and title track also harken back to her Destiny's Child days, as "Dangerously In Love" was a Beyoncé co-write that was initially featured on Survivor.)
Bey's solo debut also outlined the fundamentals that would eventually become the foundation of her superstar status. There's her unshakeable chemistry with Jay-Z (who features on lead single "Crazy in Love" and "That's How You Like It"), her knack for unexpected samples and interpolations (like the play on Donna Summer's "Love to Love You Baby" in "Naughty Girl") and intricately layered harmonies ("Yes"), her sensual expression ("Gift From Virgo") and her hit-making power ("Baby Boy").
Still, there were many naysayers who didn't believe in Beyoncé's solo star power at the time — even Beyoncé herself. "I want my solo record to be successful, but I don't expect it to do as well as Destiny's Child," Beyoncé told Complex in 2003. "I just want people to acknowledge me [as a vocalist] and for the songwriting, and I just want to make some good music."
While her humility never faltered despite her growing fame, the singer also knew she exceeded many expectations. As she cheekily recalled during her "I Am... Yours" Las Vegas residency in 2009, her record label was also among the doubters. "They told me I didn't have one hit on my album," she said. "I guess they were kind of right… I had five."
And thanks to those five hits — "Crazy in Love," "Baby Boy," "Me, Myself and I," "Naughty Girl," and "Dangerously in Love 2" — she swiftly proved her critics wrong. From its vibrant horns to a brilliant display of Beyoncé's growing vocal octaves, it was no surprise that lead single "Crazy In Love" became her first No. 1 hit. The song's chart success also foreshadowed her remarkable superstardom, as it held the top spot for eight weeks; its follow-up, "Baby Boy" featuring Sean Paul, solidified her prestige, as it reigned the Hot 100 for nine weeks.
Dangerously In Love enjoyed major success as a whole, too. The album debuted atop the Billboard 200 chart and scored Beyoncé a GRAMMY for Best Contemporary R&B Album in 2004. In fact, Beyoncé took home not one but five GRAMMYs that night — Best Contemporary R&B Album, Best R&B Song and Best Rap/Sung Collaboration for "Crazy In Love," Best Female R&B Vocal Performance for "Dangerously in Love 2" and Best R&B Performance by a Duo or Group for her Luther Vandross duet "The Closer I Get to You" — further showing that her solo career was just getting started. (She also opened the show with Prince, performing a medley of his hits as well as "Crazy In Love.")
After all that Dangerously In Love helped Beyoncé achieve — including a national anthem performance at the 2004 Super Bowl — her star only continued to become bigger and brighter as the years went on. She solidified her status as a triple threat with a starring role in 2006's Dreamgirls (though she first previewed her acting chops in 2002's Austin Powers in Goldmember); she performed with her idol, Tina Turner, at the 2008 GRAMMYs; and in 2011, she became the first female artist to headline Glastonbury Festival in two decades.
Bey has also headlined her own Super Bowl halftime show — which included a Destiny's Child reunion — and took part in another iconic halftime performance alongside Coldplay and Bruno Mars in 2016. And in 2018, she delivered a history-making (and GRAMMY-winning) Coachella performance, becoming only the first Black woman to headline Coachella.
If that wasn't enough to cement her icon status, her commercial and critical accolades speak for themselves. With 32 GRAMMYs and 88 nominations under her belt, she is the most decorated artist in GRAMMY history. What's more, all seven of her albums went No. 1 on the Billboard 200, and she has eight No. 1 hits and has sold over 200 million records worldwide. And on top of that, she's continuing to grow a business empire that includes her athleisure line Ivy Park and management/production company Parkwood Entertainment.
Even if she may not have seen it coming herself, Beyoncé has become one of the biggest icons of her generation — and Dangerously In Love set the stage flawlessly.